레이블이 ARTER인 게시물을 표시합니다. 모든 게시물 표시
레이블이 ARTER인 게시물을 표시합니다. 모든 게시물 표시

2014년 5월 28일 수요일

Füsun Onur : Through the Looking Glass


Füsun Onur : Through the Looking Glass
2014.5.28 - 8.17

ARTER (이스탄불 베이올루)
큐레이터 _ Emre Baykal


Füsun Onur, "Counterpoint with Flowers", (1982) 
Füsun Onur, "Pink Boat", 2014 (sketch: 1993)




From 28 May 2014 on, ARTER will be hosting a comprehensive solo exhibition by Füsun Onur, one of Turkey's pioneering contemporary artists. Curated by ARTER's Exhibitions Director Emre Baykal, the exhibition borrows its title from Lewis Carroll's book "Through the Looking Glass".

"Through the Looking Glass" brings together more than 40 works spanning from the artist's early career to her most recent production.

The works in the exhibition cover an era of almost 50 years committed to an uninterrupted research on the potentials of space, time, rhythm and form that are inherent in simple, everyday materials. The exhibition thus aims to offer a survey of Füsun Onur's body of work, from early abstract geometric drawings to the idea of sculpture as a linear drawing in space; from three-dimensional spatial objects to installations that employ ordinary materials such as furniture, textiles, beads, toys and so on.

Following a route that echoes the intuitive co-existence of individual pieces in Füsun Onur's world, the exhibition focuses on the strategies the artist has developed in order to expand the boundaries of painting and sculpture as well as to break the borders between them. The exhibition also offers clues as to how the artist's work has embraced, in the course of her production, quotidian, narrative and even autobiographical elements with the introduction of a gradually diversifying range of materials.

"Through the Looking Glass" also features a number of previously unrealised works produced especially for the exhibition and premiered at ARTER. One of these is a work Füsun Onur originally modelled in styrofoam for a competition in 1972. This model was revisited and transformed into a labyrinth/space that surrounds the viewers and multiplies their image on its walls of mirror.

Another is a project conceived and drafted by Onur in 1993, yet remained unrealised until this day. In this eight-hour long video, a pink boat and three rectangular shapes following its tail are released into the waters of the Bosphorus from the artist's house in Kuzguncuk and persistently maintain their position against the strong winds and ever-changing currents.

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ALİ KAZMA
"Home", 2014
Video, 5'

Complimentary to Füsun Onur's exhibition "Through the Looking Glass", a new work by Ali Kazma, "Home" (2014), can also be seen at ARTER. Ali Kazma this time turns his camera to the house that became the stage of Füsun Onur's artistic production spanning over 50 years. Installed on a separate floor to accompany the exhibition, "Home" parts open the doors of the small waterfront house in Kuzguncuk, where Füsun Onur was born, and still lives and works with her sister İlhan.



원문출처


Erdem Helvacıoğlu: Freedom to the Black

Erdem Helvacıoğlu: Freedom to the Black


2012.2.10 - 26
ARTER (이스탄불 베이올루)

큐레이터 _ Melih Fereli








Arter's new series of sound art projects opens with the exhibition "Freedom to the Black" by renowned Turkish composer, sound designer, guitarist and producer Erdem Helvacıoğlu. Curated by Melih Fereli, the installation features Fluxus pioneer George Maciunas's work "Piano Piece" (1970) along with Helvacıoğlu's composition inspired by Maciunas's very piano, which is in the Vehbi Koç Foundation Contemporary Art Collection.

During the first ever performance of Maciunas's work, Ben Vautier, the French performance artist, nailed down all the white keys of this upright piano one by one, rendering the white keys immovable and thus leaving only the black keys functioning.

The accomplished composer Erdem Helvacıoğlu recorded the 'sound memory' of Maciunas's piano to create his astonishing 10-minute composition, "Freedom to the Black". He accomplished this over a four-day recording session, by using various pieces of equipment and materials—scissors, bows, earplugs, stuffed toys, drum sticks, mallets, hammers, screwdrivers, pieces of silk and wool, among many others things—to extract a wide range of sounds from the piano's body. Helvacıoğlu used 17 microphones with diverse characteristics and in unconventional placements for the recordings.

For the spatial design of the installation at Arter, the artist and the curator collaborated with Dr Tony Myatt, director of the Music Research Centre at The University of York. "Freedom to the Black" utilises an innovative sound system, "Ambisonic B-format", here used for the first time in Turkey. The system is installed in a specially designed ground-floor room at Arter and it involves sixteen speakers that surround the audience in three dimensions for full spherical sonic diffusion.

"Freedom to the Black" inaugurates Arter's "Sound Art Projects" series. Arter has added this exciting area of artistic production to its repertoire and it will continue to commission and exhibit new works in this genre.



원문출처