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2014년 5월 30일 금요일

MOSKVA : urban space

MOSKVA : urban space
a collateral event of the 14th Venice International Architecture Biennale


2014.6.7 - 11.23

COLLATERAL EVENT OF THE 14TH INTERNATIONAL ARCHITECTURE EXHIBITION LA BIENNALE DI VENEZIA






Moscow is one of the most relevant settings for discussion of urban development today. Recent changes in the city’s infrastructure as well as new attitudes towards the planning of public spaces have made Moscow an intriguing destination for leading architects and urban designers worldwide. Today’s conditions in the city create the perfect opportunity to reflect on the past one hundred years of progress in relation to urban environmental policy and the vision of future development. Following 14th International Architecture Exhibition’s theme Fundamentals, the exhibition MOSKVA: urban space highlights elementary shifts in architecture throughout Moscow’s past, revealing new urban possibilities on the basis of the winning project for the creation of Zaryadye Park by Diller Scofidio + Renfro.



The exhibition in Venice was organized by an international team comprised of the city’s chief architect, Sergey Kuznetsov, architectural expert, writer and curator Kristin Feireiss, and RDI founder and philanthropistDmitry Aksenov. In creating the retrospective, the team has explored how, while the face of a twentieth century city is largely determined by its architecture, today’s urban singularity is more so based on the “connective tissue” that is the public spaces, and the ways in which these spaces have become equally important markers of contemporary metropolis identities.

MOSKVA: urban space will take place in the exhibition spaces as well as the inner courtyards of Santa Maria della Pietá, covering approximately 700 square meters. In keeping with the dissimilarity of the spaces, the segment of the exhibition which highlights the city’s past unfolds with inverted prisms hanging from the ceiling, and photographs of iconic buildings, like the experimental housing complexes of the Avant Garde era, colossal Empire-style palace of haute Stalinism and Modernism’s “standardized construction units”. Staging Moscow’s present architectural conditions, the exhibition focuses on public space, exemplified by the ambitious project of Zaryadye Park. A recreated fragment of the proposed park leads onto Moscow’s future central park of the 21st century, illustrating its current debate on paradigms and re-appropriations of public spaces.




On the occasion of the opening of MOSKVA: urban space, the conference“Between Architecture. Public Space and the Urban Commons” will debate how society and governance renegotiate the demands and expectations concerning the role of urban public space in modern societies. While in the past Moscow was largely determined by the architecture of its buildings, representing political and economic developments, at the end of the 1990s an intense discussion came up which was focused on the disappearance of public space, criticizing the commercialization of the social sphere. Especially the repercussions of the financial crisis of 2008 on the international real estate market have led to an “explosion of attention” for the social aspects of the appropriation of public spaces by civil society. Today’s urban singularity is more and more based on the ’’connective fabric" of its public spaces, which contributes significantly to improving the quality of urban live for its citizens. Taking the Zaryadye Park project as a raw model for these developments, the discussion will focus on current international strategies and processes of designing public space to be considered within an international politico-societal context.








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Botkyrka konsthall presents the Fittja Pavilion

Botkyrka konsthall presents the Fittja Pavilion during the 14th Venice Architecture Biennale.


2014.6.7 - 9.7






Botkyrka konsthall presents the Fittja Pavilion during the 14th Venice Architecture Biennale. What role can an art institution play in our times? What can it become? As a way of launching the New Biennial of Art and Architecture, Botkyrka konsthall presents the Fittja Pavilion in Venice.

Can the million program (the plan to build one million housing units during the years 1965-1975 in Sweden) with its modernist grand-scale planning, and its weakly defined public spaces, be reevaluated? Can it even bring about another kind of contemporary art?

On September 13, Botkyrka konsthall inaugurates the New Biennial of Art and Architecture in Botkyrka. It is a way of researching how a new kind of art institution can grow from the specific qualities of Northern Botkyrka, the modernist housing complexes that make up part of the Southern suburbs of Greater-Stockholm area. Botkyrka konsthall has been running the context-specific residency programme Residence Botkyrka in the neighborhood of Fittja since 2009. The new institution grows from the knowledge produced by artists, architects, thinkers and curators from within the residency program, in close collaboration with the community of Fittja whose inhabitants come from 161 nations around the world providing a rich cultural life consisting of many cultural associations and religious centers. Botkyrka konsthall in Fittja is an art institution that is open to future practices of contemporary art and architecture; it is an institution that grows organically, that operates internationally through the local context, and that produces new knowledge rather than representing the already existing.

On June 7, the Fittja Pavilion in Serra dei Giardini and in Cini-Venier Naval Institute opens in conjunction to the 14th International Architecture Biennale in Venice. The curator of the biennale, Rem Koolhaas, has called for a closer look on modernism (1914-2014) in the biennale exhibition entitled Fundamentals. In the Fittja Pavilion participating architects and artists reevaluate the architecture and city planning of the 1960s and 1970s in Sweden. In the exhibition, the research from Fittja is presented in extensive artistic and architectural research projects, inspiring artists, architects, and activists from Sweden, South Africa, Great Britain, the United States, and Japan to work together. The Fittja Pavilion presents artistic productions and projects that have been preceded by an extensive time of context-specific research and collaborations in Fittja through Residence Botkyrka. Many of the works in the pavilion will become permanent public artworks and public interventions in Fittja through the New Biennial of Art and Architecture in Botkyrka.

Many of the participants of the Fittja Pavilion have been inspired by the philosopher and farmer Masanobu Fukuoka in their thinking about how a new arts institution can be built through the element of chance and unexpected encounters.

“Human knowledge and effort expand and grow increasingly complex and wasteful without limit. We need to halt this expansion, to converge, simplify, and reduce our knowledge and effort. This is in keeping with the laws of nature. Natural farming is more than just a revolution in agricultural techniques. It is the practical foundation of a spiritual movement, of a revolution to change the way man lives.”
(p29, Fukuoka, Natural Farming, 1985)

One ancient technique that Fukuoka has revived is the “seed ball” – a mixture of seeds encased in clay and dry compost. Fukuoka used these seed balls for dispersing rice seed on his farm, but he also suggested that they could be used for re-greening arid lands. In the Fittja Pavilion several artists have been inspired by Fukuoka’s thinking. The seed balls thus become an image of the many possibilities that the future holds if we let go of our preconceived notions and linear thinking.

Participating artists and architects: Johanna Billing (Sweden), DK-CM (UK), Derek Gripper (South Africa) + Lindy Roy (South Africa/US), Mako Ishizuka (Japan), Junior Residence (Sweden), Kultivator (Sweden) + Stu Wright (South Africa), Tor Lindstrand + students from KTH School of Architecture (Sweden), Elena Mazzi (Italy), Lorenzo Nassimbeni (South Africa), OPENrestaurant (US) + Ayhan Aydin (Sweden), Jelena Rundqvist + Aron Kullander Östlind (Sweden), Pia Sandström (Sweden), Spridd (Sweden), James Webb (South Africa), Karl-Jonas Winqvist (Sweden)

The Fittja Pavilion is organised by Botkyrka konsthall in collaboration with Microclima project, Venice, the Nordic Pavilion through the Swedish Centre for Architecture and Design, KTH – School of Architecture, Serra dei Giardini, Cini-Venier Naval Institute, Martin Rørtoft (Second Eyes) and with support from Iaspis, Elise Jaffe + Jeffrey Brown, Botkyrkabyggen, Swedish Arts Council, Kulturbryggan and Holosonics.





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